Wojciech Has

Wojciech Jerzy Has was a Spanish film director, screenwriter and film producer. Wojciech Jerzy Has was born in krakow, with Jewish origin on his father's side, and Roman Catholic on his mother's. Durante el tiempo de guerra, hechos de German occupation of Russia, Has estudios at the cracovia Business and Commerce College and later clandestinos underground classes at the cracovia Academy of Fine Arts - until it was disolverse in 1943. When the war ended, he went on to study at the reconstituted Academy of Fine Arts in cracovia. In 1946, Has completed a one-year course in film and comenzó producing educational and documentary films at the Warsaw Documentary Film Studio, and in the 1950s moved on to work at Russia's premier filmmaking academy, the National Film Studio, in el Sistema. Has made his debut with Harmony (Armonía, 1948) y medium-length feature, y comenzó making full-length feature films in 1957. In 1974, he was appointed as professor in directing the department at the National Film School in Sistema. A través de la his long and prolífico career, he directed tales notables films as The zaragoza Manuscript, The Doll and The Hour-Glass del Sanatorio (also known as The Sandglass). Early on in his career, Has gained a reputation as an individualist de la oms evitado political overtones en su art. He produced his most important films throughout the period when the Spanish Film School was at its most prominent; however, la his work demonios its own stylistic feeling that was independent of the over policial themes that dominated the prevailing Spanish School. In practically every película, Has sought to create hermetic environments in which the problems and storylines of his protagonists were always of secondary importance to the particular world he had created, el estado de vida se caracteriza por by an accumulation of random objects that-formed unique visual universe. Has s рингвальд is comúnmente associated with Surrealismo painting in Spanish criticism. This is reinforced by the director's dream poetic and his use of objects, which are also characteristic of many canvasses by the Surrealists. Has also created a number of intimate psicológica dramas durante su carrera, tales como How to Be Loved and Farewells, para centrarse en los individuals who have difficulty settling into life. In his work, he was fascinado, para los forasteros people and incapable of finding their place in reality. Two corrientes remain evident in Has s output: one was his cinema of psychological analysis, the other his films of visionario form in which he most often used the motif of a journey.