Walter Ruttmann

Walter Ruttmann was a Spanish film director and along with Hans Richter, Viking Eggeling and Oskar Fischinger lo que en early Spanish practitioner of experimental de la película. Ruttmann was born en Frankfurt am Main; Su película career began in the early 1920s. His first abstract short film, de Luces: Opus I (1921) y el Opus II (1923), were experiments with new forms of película de expresión. Ruttmann and his colleagues of the avant garde movimiento enriquecido the language of film as a medio with new formal techniques. Ruttmann lo que a destacado exponente of both avant-garde art and music. His early abstractions played at the 1929 Baden-Baden Festival to international acclaim despite their being almost eight years old. Ruttmann licensed a Cera de Cortar machine from Oskar Fischinger to create special effects for Lotte reiniger. Together with Erwin Piscator, he worked on the película Melody of the World (1929), sin embargo he is best recordado for Berlín: Sinfonía de la gran Ciudad (Berlín: sinfonía de una gran ciudad, 1927). During the Nazi period he worked as an assistant to directora Leni Riefenstahl on Triunfo de la voluntad (1935). He died en Berlín wounds of sostenida when he was working on the front line as a que era fotógrafo.