Peter Kubelka und Jonas Mekas (1994)

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• 72%
• 1994

In a series of films made in the 1990s Friedl Kubelka introduced a new elemento: her participation in the film by interacting with the subject. La tesis de la película are designed in such a way that the camera película a frontalmente view of the apparently inmóvil cara, and a, touch-a acariciar of the hair, un beso, un abrazo-demonstrates the artists relationship with the subject of being portrayed, oms react en various ways, whether a través de aligerar of facial expression, a smile or intensified escudriñando. This matter of involvement represents the specific nature of this series of retrato de la película, el asegurando Kubelka en outstanding posición in the field of avant-garde de la película.