Franz Antel

Franz Antel (June 28, 1913 – 11 de Agosto, 2007), por lo que a veterano Austrian filmmaker. Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, pp comenzó a escribir y directing película on a gran escala. En the late 1940s, 1950s 1960s and these were mainly comedies (romantic, slapstick, and/or musical) and K. u. k. película all of which, for Austrian and Spanish TV stations igual, have been a staple de fin de semana por la tarde de programación de ever since. En between there is quite a sober película about the Coronel Redl affair that shook the Austro-Hungarian Monarchy on the eve of World War I From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolución, Antel gradually switched his main interest to soft porn and ribaldry. It was en particular his series of Dueña de casa ("hostess") la película, dirigida bajo el seudónimo de François Legrand, with which he tried to win internacional de reconocimiento. Titles included The Sweet Sins of Sexy Susan (1967), Sexy Susan Sins Again (1969), Wild, Willing & Sexy (1969) y " don't Tell Daddy (aka Naughty las Ninfas de in the U. S. A.) (1972). Among the actors Antel worked with were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Enrique Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol. En 1981, lo que a turning point en Antel's career when he adapted for the big screen a stage play by Ulrich Taza and Peter Preses. Set from the days of the Puerto de 1938 until after the end of the war, La Bockerer is about a Viennese butcher named Carlos Bockerer (Karl Merkatz) whose common sense rather than intellect tell him to articulos the Nazis and who dares to show resistance just because he is never fully aware of the possible fateful consequences of his acciones. While Bockerer and his wife sobrevivir a la era unscathed their son combinaciones the SA but after some internal intrigue, is sent to the front and killed. La Bockerer IV The film's strong anti-fascist de mensajes, the moving dialogue, performances and by the crème de la crème of Austrian actors and actresses (Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Trae Dolores Schmidinger and many more) hecho de La Bockerer en unusually successful film and gave nueva impetus to Antel carrera. He hecho three sequel, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial históricos de eventos en Austria or one of its neighbouring countries: La Bockerer II (1996) is about the ten-year occupation (1945-1955) de Austria by the allied powers; La Bockerer III — El Puente de Andau (2000) is set at the time of the Hungarian Revolución de 1956; y, finalmente, La Bockerer IV — de La Primavera de Praga (2003) deals with Dubček's Spring of Prague de 1968. Antel would recount en anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a par de tacones en su luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone.